is supported but not required) Layer Program, Arpeggiator, Key and Velocity Zones Program Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay Structure Filters 2-pole LPF, 2-pole HPF, 2-pole BPF, 2-pole Band Reject, 4-pole LPF, 4-pole HPF, 4-pole BPF, 4-pole Band Reject, Multi Filter, MS-20 LPF, MS-20 HPF, Polysix Controllers Mod Wheel, Pitch Wheel, Vector Joystick X/Y, 8x Program/Performance Mod Knobs Other Sources 3x Envelopes, Vector Envelope, 3x LFOs, 2x Mod Processors, 2x Key Track, Step Sequencer Lane, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate/Gate+Damper, Note-On Trigger/Note-On Trigger+Damper, Note Number, Aftertouch/Poly Aftertouch (external MIDI only), MIDI CCs +/-, MIDI CCs + Destinations Most parameters can be modulated, including parameters of individual Wave Sequence Steps. Storage for tens of thousands of user Performances Performance 4 Layers, Reverb, EQ all edits are stored in the Performance, DAW-style (saving as separate Programs, Wave Sequences etc. Look at your options and see how you can make them work for you in ways that aren't obvious.Keyboard 37 keys (velocity and release-velocity sensitive) Sound generating system Wave Sequencing 2.0 Maximum Polyphony 64 stereo voices Sounds Ships with over 240 Performances, 740 Programs, and 1,000 Wave Sequences If you want, you can create completely different patterns for each time the pattern runs through, which running at 1/16 per step is 16 bars perfect for chord progressions.īe creative and remember that limitations don't need to be shackles. The KSP is actually a different beast again, with the way it can play a variation of the pattern for each round up to four round. Now I realise how ridiculous it sounds to have notes that sound for an entire bar (of 4/4 timing) but it actually isn't that silly, especially if you are running chords. Crotchets (quarter-notes), make 64 steps run for a length of 16 bars and if you are going to use steps the length of a breathe (1/1, achievable by running the sequencer on a clock signal at a quarter speed of the actual BPM you are working in), you get a maximum pattern length of 64 bars! Running at 16ths, then yes 4 bars is the length, but running on semiquavers (8ths) your pattern is 8 bars. Depending on what timing division you use, you can make longer patterns.
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